Fender Classic Player Jazzmaster & Jaguar - The Test

In the beginning, Leo created the Telecaster. Keith andfor all three models and hardware is Fender/Ping
Bruce were happy. On the second day, Leo createdvintage style.
the Stratocaster. Jimi and Eric were in ecstasy. On theAs for looks, be aware that the Jazzmaster is
following days, Leo created the Jazzmaster and theavailable in black or sunburst finishes with a 4-ply
Jaguar, which, although intended for jazz, foundBrown Shell pickguard, the Jaguar special (single coils)
followers within the surf music scene of the 60s andin red or sunburst, and the Jaguar HH (humbuckers) in
the rock music scene of the 90s. Today we'll bewhite or sunburst. Lastly, the guitars are delivered in a
testing the 2008 edition of these mythical guitars ...gig bag and hardware is chrome.
A Little History Lesson ...Sound and Playability
The history of these two models is not trivial. In 1958,As for electronics, the Jazzmaster has two
Leo Fender, father of the famous Telecaster andindependent circuits (lead and rhythm) via a selectable
Stratocaster, decided to take advantage of his2 position switch, each with their own volume and tone.
reputation and try to seduce jazz guitarists with aThere's the classic three-position switch for selecting
model logically called the Jazzmaster. With apickups (neck, bridge or both). The Jaguar with single
rosewood fingerboard, a floating vibrato, new pickups,coils replaces the 3-position switch with a system
and a warmer sound than the Stratocaster, Leocombining three 2-position switches. The first two
thought he'd please jazzmen at the time. Unfortunately,switches enable/disable the bridge and neck pickups
its tendency to feedback prompted them to ignore it.respectively while the third switch activates a
However, the Jazzmaster began to interest groups inhigh-pass filter. This filter lets you easily pierce through
the surf movement like The Ventures and Thea mix! Lastly, the Jaguar with humbuckers has even
Fireballs. Leo, always on the lookout, took advantagemore possibilities! There's, in addition to the adjustments
of this interest and came out with a model specificallymentioned above, a master kill switch that lets you
designed for the surf music scene in 1962: the Jaguar.completely cut the sound of the guitar, and two
With a shorter scale (24 inches), single coilcontrols to mix the humbucker sound with the split
Stratocaster-type pickups, 22 frets, a spring-loadedsound( Humbucking/Single-Coil Blend Control), and this
rubber string-mute, and a notched side plate that madefor each pickup. The sonic possibilities of this guitar are
it less prone to interference, it was the ultimate surfenormous!
guitar. Unfortunately, the surf music scene went out ofThe craftsmanship on these guitars seems flawless
fashion in the 70's and production of Jaguars andand there weren't any intonation issues during the test.
Jazzmasters was stopped in 1980.The neck is agreeable to play and one will quickly find
These models were then set aside for a few yearstheir bearings, while the hardware seems built to last.
until indie rock bands in the early 80s such as SonicAs for controls,only the Jaguar HH may pose some
Youth or My Bloody Valentine saw in this guitar (whichproblems at first: for novices, the number of knobs
was affordable at the time and gave ampleswitches takes some getting used to, especially in gigs
feedback), a good way to satisfy their experimentalwhere stress can complicate things.
sound cravings. By strumming the strings behind theOnce plugged in, one is surprised by the power
bridge they could get a unique chiming sound as welldelivered by the pickups. The Jazzmaster has a
as produce sympathetic resonance due to the lowsweet sound but which is quite thick and with a
break angle over the bridge. Following this rediscovery,significant output level for single coils. It allows you a bit
the Jazzmaster and Jaguar were reintroduced into theof versatility in terms of sound with good clean tones
Fender catalog in 1986 with Japanese 1962 Reissuethat are rich and full.
models.The few sound samples were recorded with a
2008 saw the birth of the "Classic Player" series,Sennheiser MD 421 microphone in front of a Brunetti
made in Mexico and at relatively affordable prices. ToMercury EL34 amp. Here's a sample of the "clean"
celebrate their 50th anniversary a "revision" was insound palette of the Jazzmaster: clean1, clean2, clean3,
order ... This test will be of a Jazzmaster, a Jaguarclean4, cleanchords and cleanfunk. And three
with single coil pickups, and a Jaguar with Humbuckers.examples in overdrive: ovd1, ovd2 and ovd3.
Face LiftThe Jaguar with single coils is similar to a Telecaster
For those who have never laid their hands on awith its chimey sounds; true happiness for clean-sound
Jazzmaster or a Jaguar, the first striking feature is thelovers! Nevertheless, distorted/overdrive sounds are
size of its asymmetric body, larger than that of aalso quite nice: it's got that twang that we all know and
Telecaster or a Stratocaster. However, the balance islove! Examples: dist1, dist2 and dist3.
perfect, because the guitar was originally intended toLastly, the Jaguar HH, with two humbuckers, is the
be played seated (the jazzmen, remember!). Theoverdrive king. It's simply a joy to play in drop D with
traditional main differences between the two modelsthe distortion pedal on! It's heavy and fat with sparks
are both the short scale on the Jaguar (24 inches asflying everywhere (ex1, 2 & 3)! Cobain fans will be
opposed to the 25.5 inches on the Jazzmaster), andthrilled. The opportunity to mix in the split pickup sound
different pickups: P-90-type single coils on thegives some interesting results in clean and overdrive
Jazzmaster differ from the single Stratocaster-type(ex1, 2 & 3) and, as said before, gives the guitar
ones on the Jaguar. The pickups on the Jazzmaster inenormous sound possibilities. The knobs can certainly
fact have a warmer and rounder sound than those ofbe difficult to master at first, but it's worth the effort.
the Jaguar, which are brighter.Conclusion
As far as changes go, there are new pickups (SpecialIt's difficult to to be picky when confronted with these
Design Hot Single coils on the Jazzmaster and theguitars! They look and sound great and are a joy to
Jaguar, and Enforcer humbuckers for the Jaguar HH)play. The only criticism that can be made by
with a higher output level and thicker sound than theJazzmaster/Jaguar traditionalists might be about the
original models. Note that the pickups on thechanges made to the bridge and tremolo location.
Jazzmaster have height adjustment screws, as do theWhile they facilitate adjustments and improve
P-90-type pickups. A Tune-O-Matic-type bridgeintonation to some extent, they slightly change the
resolves the "jumping strings" and intonation issues oforiginal character of these models . But for an average
previous models. In addition, the floating tremolo hasprice of around $900, Fender delivers high quality
been moved in closer to the bridge and the angle ofguitars. Yes, they're made in Mexico, but hold their own
the strings in relation to the bridge is now greater. Thiswhen compared to certain more expensive models. It's
will increase sustain and reduce sympathetic stringa good reason to take the plunge and buy one of
resonances behind the bridge. You lose that littlethese mythical guitars!
characteristic chiming sound that was obtained by[+] Look
strumming the strings behind the bridge (Sonic Youth[+] Finish
loved that sound). With this new bridge and the the[+] Neck
fact that the tremolo has been moved in closer, it[+] Pickups
loses a little of the character of the original guitar, but[+] Intonation
gains in accuracy and stability.[+] Price
For the maple neck, Fender has chosen a "C" shape, a[+] Changes that bring the guitars up to date ...
rosewood fingerboard, a 9.5 inch radius (flatter than[-] ... But slightly change their original character
the original), 21 medium jumbo frets (for the[-] I'm hooked. I want one now!
Jazzmaster and 22 for the Jaguar). The body is alder