How to Record Drums - Replacing Drums to Get a Professional Sound

If only we lived in a world where every kick drum,be the answer.
snare and toms were tuned to perfection! WhereSo what is 'replacing a sample', you ask? Well, the idea
rooms not only sounded good, but actually enhancedis to replace, or double, a below par sample with
the sound of the instruments which occupied them. Notsomething of a much higher quality. Plugin's such as
to mention having the perfect tools to capture suchDrumagog, Soundreplacer and Logic Pro 9's Drum
instruments from the microphone itself; to a quality lead,Replacer are some of many programmes that do just
mic preamp, compressor, EQ and A Gradethat: Replace drums! Whilst this seems to be a terrific
Conversion.and simple cure to all of your "below par' recordings,
So when it comes time to record a band in your homecare and attention must be exercised when doing so.
studio and you want to utilise the best bits ofIn theory, replacing a kick or snare drum should be just
equipment you can muster, what happens when youthat...only it's not. If you've ever listened to a soloed kick
simply don't have enough quality gear to record everydrum recording, you'll notice how different each
instrument within the band? And what if the band youindividual hit is played. Obviously dynamics play a
are recording simply doesn't have good-sounding gearmassive part in getting a "replaced" kick drum to sound
to record with in the first place? In times that have"right". If each kick sounded exactly the same, the
passed, this would have proved to be a serioustrack would begin to sound lifeless and unnatural. In the
dilemma however today's recording tools can serveprogramme of your choice, pay particular attention to
up an entirely new method. Every audio producerthe threshold or sensitivity control as this adjusts how
says, "Get the sound right from the beginning" - and Ihard the sample is to be triggered. Cross check the
for one agree with them - but, in some instances"sample" sounds to the original and try to match the
where time and gear get in the way, other techniquesdynamics to the original, recorded sound. Simple drum
may be necessary.replacement programmes only vary the dynamics of
Recording a drum kit is one of the hardest things to doone sample. This is not nearly as good as the more
in the studio. Does the following sound familiar?: You'vethorough programmes which actually change the
just finished tracking all the drums and later returned tosample for each level of dynamic trigger. This not only
realise some parts of the kit don't sound as good assounds better, but gives the drum recording a more
you had hoped!? Maybe you were tired during theorganic sound. Some programmes also convert the
session? Or maybe the rest of the band wouldn't stoporiginal drum track into a MIDI file, which enables the
making noise while you were busy checking thatengineer to completely adjust the dynamics and send
everything was in place. The actual performance frommidi signals to a vast array of devices.
the drummer was fantastic but, in hindsight, you wishedOne more thing to remember when using drum
you had taken more time to get the microphone in thereplacement programmes, is to make sure your DAW
correct position, or even tried a different microphonehas delay compensation on as latency can become
altogether. You've tried all the EQ'ing and variousan issue. This is when the programme triggers a
processing tools your DAW has to offer, but none ofsample which isn't aligned with the original recording
this makes the drums sound as good as you hadcausing the sample to be out of time. Some
hoped! If one particular piece of the instrument doesn'treplacement programmes have a Latency
sound right, replacing or "adding" to the sample couldCompensation component and some don't.